
Waters was privately educated at the Calvert School in Baltimore. Ĭry-Baby was also a product of Waters's boyhood, because of his fascination as a seven-year-old with the " drapes" then receiving intense news coverage because of the murder of Carolyn Wasilewski, a young "drapette", and his admiration for a young man living across the street who had a hot rod. Pela says that Waters's mother believes the puppets in Lili had the greatest influence on Waters's subsequent career (though Pela believes tacky films at a local drive-in, which the young Waters watched from a distance through binoculars, had a greater effect). The film Lili inspired an interest in puppets in the seven-year-old Waters, who proceeded to stage violent versions of Punch and Judy for children's birthday parties. Waters and Milstead shot many of their early films at the house, dubbing the front lawn the "Dreamland Lot". Waters lived at 313 Morris Avenue in Lutherville from his early teenage years until he moved out in his early twenties. His boyhood friend and muse, Glenn Milstead, later known as Divine, also lived in Lutherville. Waters grew up in Lutherville, Maryland, a suburb of Baltimore. Through his mother, who immigrated to the United States from Victoria, British Columbia, Canada as a child, he is the great-great-great-grandson of George Price Whitaker of the Whitaker iron family. He was raised Roman Catholic by his mother, though his father was not Roman Catholic. Waters was born on April 22, 1946, in Baltimore, Maryland, one of four children born to Patricia Ann (née Whitaker) and John Samuel Waters, a manufacturer of fire-protection equipment. In 2018, Waters was named an officer of the Order of Arts and Letters in France. Know-It-All were nominated for the Grammy Award for Best Spoken Word Album in 20, respectively.

The audiobooks he narrated for his books Carsick and Mr. In 2016, he received an honorary degree from the Maryland Institute College of Art. Waters also works as a visual artist and across different media, such as installations, photography, and sculpture. More recently, he performs in his touring one-man show This Filthy World. Īs an actor, Waters has appeared in Sweet and Lowdown (1999), Seed of Chucky (2004), 'Til Death Do Us Part (2007), Excision (2012), and Suburban Gothic (2014). Waters often worked with actor and drag queen Divine and his regular cast of the Dreamlanders.

His films contain elements of post-modern comedy and surrealism.
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He has written and directed other films, including Polyester (1981), Cry-Baby (1990), Serial Mom (1994), Pecker (1998), and Cecil B. He wrote and directed the comedy film Hairspray (1988), which became an international success and was later adapted into a hit Broadway musical and a 2007 musical film. He rose to fame in the early 1970s for his transgressive cult films, including Multiple Maniacs (1970), Pink Flamingos (1972) and Female Trouble (1974). (born April 22, 1946) is an American filmmaker, writer, actor, and artist. With only 10 jackets made, here we look at the art created as early as the 1960s that was collaged onto the design.John Samuel Waters Jr.

"That was something we wanted to showcase with this collaboration and our designs." In February the brand became the first fashion label created by a trans person to show on the official New York Fashion Week calendar. "When we were initially approached to do this project we were apprehensive due to the overtly white legacy of Tom of Finland's works, but after reviewing the archives we were surprised to see images of Black men and women in sexually versatile positions," Pierre Davis of No Sesso said. In a new collaboration featuring a limited edition denim jacket, No Sesso puts Tom's work featuring Black men on display. And while that is no doubt, a large part of his work, there is a collection of work that deviates from this. The reality is that Tom's work has a tendency to be shown and showcased almost exclusively depicting cis, white, masculine men - tropes of men to be frank.

But a subset of some of the lesser viewed works is finding new life via a partnership with fashion brand No Sesso. Whether installed in a gallery context, or brought to life via one of the many collaborations that the Tom of Finland Store puts together, his imagery of muscle-bound men with bulging crotches, bubble butts all dressed in leather or some other type of uniform (if dressed at all) is almost instantly recognizable. Tom of Finland's work is almost omnipresent at this point.
