Still, if what you want is an homage, you won’t find a better one than here. (It doesn’t help that the highlights from this album’s rollout haven’t been the album tracks themselves, but rather Cyrus’ live covers of more well-known rock classics like “ Maneater” and “ Heart of Glass.”)
#Plastic hearts album review full#
Few other celebrities have put their misguided attempts at an image makeover on full display as Cyrus has, and after back-to-back eras as a twerking shock jock and a Flaming Lips psych-pop princess, the sweeping rock homage of Plastic Hearts initially comes across as playing it safe. Sen.That Cyrus has come back around to guitars and gravel-voiced hooks is poetic or highly convenient, depending on your view.10 Lesser Madonna Hits She Should Perform On Tour.The New Grammy Category Was Made For The Gays.Chick-fil-A Targeted by Conservatives for Boycott.Man Stops Track Meet, Alleging 9-Year-Old Girl is Transgender.Plastic Hearts is available to stream on Spotify and Apple Music. Cyrus certainly captures its sound on a technical level, but perhaps more importantly, she almost perfectly emulates its snarling, punky ethos. Despite its unevenness, the album is most successful as a tribute to a specific era of rock and its sound. Plastic Hearts is self-assured and creative, unsurprising given Cyrus’ other output.
They allow her to bear some personal grievances and showcase her vocals in a style that she has found success with in the past, but they stand out as odd inclusions, sounding almost like they were intended for a completely different album. All three stand out as particularly strong tracks that feel authentically Cyrus.
“Never Be Me” is a warm, almost beachy track that has her confessing her own shortcomings, while “Golden G-String” is a little more tongue-in-cheek. “Gimme What I Want” strays into deep, thudding synthpop, while “Prisoner,” her collab with Dua Lipa, although it is a strong track, might have been better suited to Lipa’s own album, Future Nostalgia.Ĭyrus brings us into the latter half of the album with the pop-country ballad, “High.” It is a strong enough track, but Cyrus makes an odd choice in closing out the standard edition of Plastic Heart with two similar heartfelt country offerings. What she sacrifices in consistency, she makes up for with some of the more memorable tracks on the album. Still, as much as has already been made of her pivot to rock on Plastic Hearts, Cyrus is just as happy to wear multiple hats on this album as she is to jump between genres from album to album. Apart from standing out as an instantly memorable hit, “Night Crawler” puts her gravelly vocals on full display and is the standout example of why she is a natural fit for this particular brand of rock. To Cyrus’ credit, she more than keeps up with Billy Idol on “Night Crawler,” matching those snarling vocals that did so much to define a whole era of ’80s pop punk. These two collaborations go a long way towards helping capture the era’s sound. Plastic Hearts (★★★☆☆) embraces an era of rock epitomized by Joan Jett and Billy Idol, both of whom show up on the album. Call it a new direction or call it a throwback to her first forays out from under her squeaky-clean Disney persona - and there is definitely a case to be made for either - but Cyrus sounds natural and in her element paying tribute to the late ’80s on her seventh studio album. Miley Cyrus’ sparky, rebellious public persona has been so consistent over the last decade or so that it’s easy to forget what a musical chameleon she is.
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